{"id":344,"date":"2020-10-22T10:34:37","date_gmt":"2020-10-22T10:34:37","guid":{"rendered":"https:\/\/site.dominiquepeysson.net\/?page_id=344"},"modified":"2020-12-15T10:27:27","modified_gmt":"2020-12-15T10:27:27","slug":"%e5%87%ba%e7%89%88%e7%89%a9","status":"publish","type":"page","link":"https:\/\/dominiquepeysson.net\/ja\/%e5%87%ba%e7%89%88%e7%89%a9\/","title":{"rendered":"\u51fa\u7248\u7269"},"content":{"rendered":"

\u51fa\u7248\u7269\u3092\u898b\u308b \u30a2\u30ab\u30c7\u30df\u30a2<\/a><\/p>\n\t

\u4eca\u5f8c\u306e\u4e88\u5b9a\uff082020\u5e7410\u6708\uff09\u3002\u30c7\u30b6\u30a4\u30f3\u3001\u30b2\u30b7\u30e5\u30bf\u30eb\u30c8\u30a5\u30f3\u30b0\u3001\u30d5\u30a9\u30fc\u30de\u30c6\u30a3\u30f4\u30a3\u30bf\u300d\u3001\u30a2\u30f3\u30bd\u30ed\u30b8\u30fc\u3001\u30d1\u30c8\u30ea\u30b7\u30a2\u30fb\u30ea\u30dc\u30fc\u3001\u30af\u30e9\u30b9\u30bf\u30fc\u30fb\u30aa\u30d6\u30fb\u30a8\u30af\u30bb\u30ec\u30f3\u30b9\u6d3b\u52d5\u4e8b\u9805\u3002\u30a4\u30e1\u30fc\u30b8\u30b9\u30da\u30fc\u30b9\u7d20\u6750\u3002.<\/p>\n

6\u67082018.Sciences et art : alibi scientiste ou voie for les humanit\u00e9s ?\u00ab in \u00bb Quel avenir pour les humanit\u00e9s?\", l'Archicube, n\u00b024.ENS Ed.P.98-101<\/p>\n

2017\u5e7412\u6708Premi\u00e8re Impression\u30012017\u5e741\u6708\u304b\u30892\u6708\u306b\u304b\u3051\u3066L'Espace Jean-Roger Caussimon, Tremblay en France\u3067\u958b\u50ac\u3055\u308c\u305f5\u4f5c\u54c1\u304b\u3089\u306a\u308b\u500b\u5c55\u306e\u30ab\u30bf\u30ed\u30b0\u3002.<\/p>\n

2017\u5e741\u6708Responsive Images and Hydrophily, in \u00abImages Interactives : Arts, Sciences et Culture du visuel\u00bb, edited by Jean-Paul Fourmentraux, La lettre Vol\u00e9e Ed., Brussels.<\/p>\n

2016\u5e746\u6708Versal Unfolding, How a specific folding can turn crease and tear into transversal notions, Emmanuel Ferrand, Dominique Peysson, in \u201cOn Folding\u201d, ed. Michael Friedman, Transcript Ed., Bielefeld.<\/p>\n2016\u5e744\u6708\u7d20\u6750-\u30a4\u30e1\u30fc\u30b8\u3002\u51fa\u73fe\u3059\u308b\u7d20\u6750\u3068\u60f3\u50cf\u4e0a\u306e\u30e1\u30bf\u30e2\u30eb\u30d5\u30a9\u30fc\u30bc\u3002\u30c9\u30df\u30cb\u30af\u30fb\u30da\u30a4\u30bd\u30f3\u8457\u3002Dis Voir Ed.\uff08\u30d1\u30ea\uff09\u3002.
\n\u7d9a\u3044\u3066\u300c\u30a4\u30e1\u30fc\u30b8\u30fb\u30de\u30bf\u30fc\u300d\u3002\u30f4\u30a1\u30cd\u30c3\u30b5\u30fb\u30d7\u30ec\u30a4\u30b9\u8457\u300e\u30a8\u30de\u30fc\u30b8\u30f3\u30b0\u30fb\u30de\u30c6\u30ea\u30a2\u30eb\u3068\u30a4\u30de\u30b8\u30ca\u30ea\u30fc\u30fb\u30e1\u30bf\u30e2\u30eb\u30d5\u30a9\u30fc\u30bc\u300f\u3001\u30c7\u30a3\u30b9\u30fb\u30f4\u30a9\u30ef\u30fc\u30eb\u7de8\uff08\u30d1\u30ea\uff09\u3002.\n

2015\u5e7412\u6708 Les mat\u00e9riaux \u00e9mergents \u00e0 l'\u00e9preuve de l'art contemporain, in \u00abSciences et techniques.Une culture \u00e0 partager\u00bb Culture et Recherche n\u00b0 132, 100 p., \u6587\u5316\u7701\u306e\u7814\u7a76\u96d1\u8a8c\u3002.<\/p>\n

2013.plastik]-\u30a2\u30fc\u30c8\uff06\u30b5\u30a4\u30a8\u30f3\u30b9#03\u53f7\u3001\u30ca\u30ce\u306e\u30aa\u30eb\u30ac\u30fb\u30ad\u30bb\u30ec\u30f4\u30a1\u3068\u306e\u5171\u540c\u30c7\u30a3\u30ec\u30af\u30b7\u30e7\u30f3\u3002.<\/p>\n

2013\u5e748\u6708Peysson Dominique, \u00abLe nanomonde : une nouvelle \u00ab h\u00e9t\u00e9rotopie \u00bb ?\u00bb, in the online journal [plastik ] Nano, n\u00b03.<\/p>\n

2012\u5e745\u6708Mat\u00e9rialiser sa pens\u00e9e au seuil de l'intelligible, in \u201cTechnique et creation\u201d.Toulouse Ivan, Dan\u00e9tis Daniel (dir.), Paris: L'Harmattan, 2012, (coll. \u00abEur\u00eaka et cie\u00bb).<\/p>\n

2008.Inventer son chemin, petite fresque heuristique, in \u00abEur\u00eaka, le moment de l'invention\u00bb, Toulouse Ivan, Dan\u00e9tis Daniel (dir.), Arts 8, Paris: L'Harmattan, 2008, (coll. \u00abEur\u00eaka et cie\u00bb).<\/p>\n

1999-2009.\u5150\u7ae5\u6587\u5b66\u306e\u8457\u66f8\u591a\u6570\uff08\u30c6\u30ad\u30b9\u30c8\u3001\u753b\u50cf\uff09\uff1a\u5150\u7ae5\u66f811\u518a\u3001\u96d1\u8a8c\u306e\u633f\u7d75\u3001\u672c\u306e\u8868\u7d19\u306a\u3069\u3002<\/p>\n

1991-1995. Publications scientifiques\u00a0: un chapitre de livre, huit publications dans des revues \u00e0 comit\u00e9\u00a0de lecture (comme \u00ab\u00a0Die Makromol. Chem.\u201d, \u201cNonlinear Optics\u201d, \u201cMacromol. Chem. Phys.\u00a0\u00bb, \u00ab\u00a0Liquid Crystals\u00a0\u00bb, …), dix-huit communications (congr\u00e8s, colloques…).<\/p>\n\t

\u30a4\u30f3\u30bf\u30fc\u30d9\u30f3\u30b7\u30e7\u30f3-\u30a2\u30fc\u30c8\u306b\u304a\u3051\u308b\u30b3\u30df\u30e5\u30cb\u30b1\u30fc\u30b7\u30e7\u30f3<\/h2>\n

\u8fd1\u65e5\u958b\u50ac\uff08\u30b3\u30ed\u30ca\u30a6\u30a3\u30eb\u30b9\u306e\u305f\u3081\u5ef6\u671f\uff09\uff1a\u73fe\u4ee3\u30a2\u30fc\u30c8\u3067\u8a66\u3055\u308c\u308b\u65b0\u7d20\u6750\u3001\u300c\u5316\u5b66\u3068\u30a2\u30fc\u30c8\u300d\u3001Journ\u00e9es de la Chimie, X, ENS, ESPCI.<\/p>\n

\u00c0 venir – report\u00e9 pour cause du coronavirus. Pr\u00e9sentation de mes \u0153uvres sur l\u2019ADN pour \u00ab\u00a0Le 21\u00e8me si\u00e8cle, le si\u00e8cle de l\u2019ADN? \u00bb, campus num\u00e9rique de Ionis Education group, Sup\u2019Biotech.<\/p>\n

2 2020\u5e743\u6708La mati\u00e8re EST forme\u3001Galerie L'ahah\u3001Ran Zhang\u306e\u5c55\u89a7\u4f1a\u300cResolution of Traits\u300d\u306b\u969b\u3057\u3066\u30012020\u5e743\u670825\u65e5\uff5e27\u65e5\u3001\u5c55\u793a\u30b9\u30da\u30fc\u30b9#Griset\u30014 cit\u00e9 Griset\u3001\u30d1\u30ea\u3002.<\/p>\n

2020\u5e742\u670818\u65e5SNSF Scientific Image Competition (SSIC) 2020\u5be9\u67fb\u54e1\uff08\u30b9\u30a4\u30b9\u30fb\u30d9\u30eb\u30f3\uff09\u3002.<\/p>\n

2019\u5e7411\u670827\u65e5\uff5e30\u65e5\u8003\u3048\u308b\u3079\u304d\u3053\u3068When what we touch can touch us deeply, Arts & Science international conference, Mus\u00e9e national Marce Chagall, Universit\u00e9 C\u00f4te d'Azur, Nice.<\/p>\n

2019\u5e7411\u6708\uff5e12\u6708LVMH Recherche\u306e\u305f\u3081\u306eSMART\u7d20\u6750\u306e\u30a4\u30ce\u30d9\u30fc\u30b7\u30e7\u30f3\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3002.<\/p>\n

2019\u5e749\u670824-25\u65e5\u30d0\u30a4\u30aa\u30df\u30e1\u30b7\u30b9\u5bfe\u30d0\u30a4\u30aa\u30df\u30df\u30af\u30ea\u30fc\u3001Rencontres Techniques&Culture \u00abBiomim\u00e9tisme(s).\u751f\u7269\u306e\u6a21\u5023\u3068\u751f\u547d\u306e\u30e2\u30c7\u30eb\u5316\u300d\u3001Mucem\u3001\u30de\u30eb\u30bb\u30a4\u30e6\u3002.<\/p>\n

2019\u5e746\u670813\u65e5\u60c5\u5831\u306e\u5358\u4f4d\u3068\u3057\u3066\u306e\u3057\u305a\u304f\u3001\u300c\u7a7a\u306e\u5ead \u6c34\u300d\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3001\u30b7\u30c6\u30fb\u30a2\u30f3\u30c6\u30eb\u30ca\u30b7\u30e7\u30ca\u30eb\u30fb\u30c7\u30b6\u30fc\u30eb\u3001\u30d1\u30ea\u3002.<\/p>\n

2019\u5e746\u670811\u65e5\uff5e21\u65e5LVMH\u30ea\u30b5\u30fc\u30c1\u306e\u30d6\u30eb\u30fc\u30ce\u30fb\u30d0\u30d6\u30bc\u4f1a\u9577\u306e\u4f9d\u983c\u306b\u3088\u308b\u3001LVMH\u30ea\u30b5\u30fc\u30c1\u306e\u305f\u3081\u306e\u30af\u30ea\u30a8\u30a4\u30c6\u30a3\u30d6\u30fb\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u300c\u30a2\u30fc\u30c8\u3068\u30b5\u30a4\u30a8\u30f3\u30b9\u300d\u3002LVMH\u306e\u30ea\u30b5\u30fc\u30c1\u3068\u30b3\u30f3\u30c6\u30f3\u30dd\u30e9\u30ea\u30fc\u30a2\u30fc\u30c8\u3092\u7d50\u3073\u3064\u3051\u308b\u6700\u521d\u306e\u30de\u30a4\u30eb\u30b9\u30c8\u30fc\u30f3\u3068\u306a\u308b\u3001\u307e\u3063\u305f\u304f\u65b0\u3057\u3044\u4f53\u9a13\u3002.<\/p>\n

2018\u5e7412\u670812\u65e5\u3002\u30d1\u30ea\u306eGrand Action cinema\u3067\u958b\u50ac\u3055\u308c\u305fRoland Lehoucq\u3001Perig Pitrou\u3001Jean-S\u00e9bastien Steyer\u4e3b\u50ac\u306e\u300cExtraterrestrial Presences\u300d\u30b5\u30a4\u30af\u30eb\u3001Human lives in space\u306e\u305f\u3081\u306b\u3001R.Scott\u76e3\u7763\u306e\u6620\u753b\u300eAlone on Mars\u300f\u306b\u3064\u3044\u3066\u8a9e\u308b\u3002.<\/p>\n

2018\u5e7410\u670812\u65e5\u57fa\u8abf\u8b1b\u6f14\u3001Art and Matter: a Matter of Life\u3001\u7b2c55\u56de\u5de5\u5b66\u4f1a\u6280\u8853\u5927\u4f1a\u3001\u30de\u30c9\u30ea\u30c3\u30c9\u3001\u30b9\u30da\u30a4\u30f3\uff08\u62db\u5f85\uff09\u3002.<\/p>\n

2018\u5e748\u670829\u65e5Keynote, In formation & information in living materials, Solvay Workshop, Brussels, Belgium\uff08\u62db\u5f85\u8b1b\u6f14\uff09\u3002.<\/p>\n

2018\u5e746\u670827\u65e5\u30aa\u30fc\u30ac\u30cb\u30c3\u30af\u30fb\u30de\u30b7\u30f3\u3001\u201cLe sensible artificiel\u201d study days\u3001Maison des Sciences de l'Homme Paris-Nord.<\/p>\n

2018\u5e742\u670815-16\u65e5\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u300cDesign, Gestaltung, Formativit\u00e0\u300d\uff08\u30c9\u30a4\u30c4\u3001\u30d5\u30f3\u30dc\u30eb\u30c8\u5927\u5b66\uff08\u30d9\u30eb\u30ea\u30f3\uff09\u304a\u3088\u3073\u30de\u30c3\u30af\u30b9\u30fb\u30d7\u30e9\u30f3\u30af\u7814\u7a76\u6240\uff08\u30dd\u30c4\u30c0\u30e0\uff09\uff09\u306e\u305f\u3081\u306e\u3001\u751f\u304d\u305f\u7d20\u6750\u306b\u304a\u3051\u308b\u60c5\u5831\u3068\u30a4\u30f3\u30d5\u30a9\u30e1\u30fc\u30b7\u30e7\u30f3\uff08\u62db\u5f85\uff09\u3002.<\/p>\n

2017\u5e7410\u670812\u65e5The march towards organic machines, for the conference \u00abThe future of machines: between science and fiction?\u00bb, festival Acc\u00e8)s(, Pau.<\/p>\n

2017\u5e7410\u670816-17\u65e5\u30b3\u30ed\u30ad\u30a2\u30e0\u300cLa vie \u00e0 l'\u0153uvre\u300d\u306e\u305f\u3081\u306e\u300cLiving matter\u300d\u3002Nouvelles \u00e9cologies, bioart, biodesign, at Mus\u00e9e de la Chasse, Paris.<\/p>\n

2017\u5e746\u670821\u65e5\u751f\u304d\u308b\u3053\u3068\u3002Les formes de l'information, \u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u300cExplorations Interdisciplinaires autour du vivant.PSL \u306b\u304a\u3051\u308b\u79d1\u5b66\u3068\u82b8\u8853\u300d\u3001ESPCI \u3001\u30d1\u30ea\u3002.<\/p>\n

2017\u5e746\u67081\u65e5\u30dd\u30f3\u30d4\u30c9\u30a5\u30fc\u30fb\u30bb\u30f3\u30bf\u30fc\uff08\u30d1\u30ea\uff09\u3067\u958b\u50ac\u3055\u308c\u305f\u300cResponsive Matter\uff08\u53cd\u5fdc\u3059\u308b\u7269\u8cea\uff09\u300d\u4f1a\u8b70\u306e\u30aa\u30fc\u30d7\u30cb\u30f3\u30b0\u3068\u8b1b\u6f14\u3002.<\/p>\n

30 Apr 2017.Mati\u00e8re d\u00e9sirante, de la machine \u00e0 la mati\u00e8re vivante, for the meetings: \u00abLes machines utopiques\u00bb, at the Gait\u00e9 Lyrique, Paris.<\/p>\n

2016.11.10\u65b0\u3057\u3044\u76ae\u3002Une d'intelligence relationship entre nous et notre v\u00eatement, research seminar \u00abAnthropologie des mondes de la mode.La main au regard de la machine.\u624b\u306b\u306f\u4f55\u304c\u6b8b\u308b\u306e\u304b\u300d\u3001EHESS\u3001\u30d1\u30ea\u3002.<\/p>\n

2016\u5e746\u67089\u65e5\u30c7\u30fc\u30bf\u30fb\u30de\u30bf\u30fc\u3068\u30d7\u30ed\u30b0\u30e9\u30de\u30d6\u30eb\u30fb\u30de\u30bf\u30fc\uff1a\u30de\u30c1\u30e5\u30fc\u30fb\u30d6\u30ea\u30a2\u30f3\u306e\u4f5c\u54c1\u300cMemories Memories\u300d\u3092\u4e2d\u5fc3\u306b\u4f01\u753b\u3055\u308c\u305f\u30e9\u30a6\u30f3\u30c9\u30c6\u30fc\u30d6\u30eb\u300cData Matters?.<\/p>\n

2016\u5e745\u670826\u65e5\u30d1\u30ea\u3067\u300eL'Image-Mati\u00e8re\u300f\u51fa\u7248\u3002Manuela de Barros\u3068Dominique Lestel\u3068\u306e\u30e9\u30a6\u30f3\u30c9\u30c6\u30fc\u30d6\u30eb\u3001La Paillasse\u3001\u30d1\u30ea\u3002.<\/p>\n

2016\u5e745\u670818\u65e5\u30dd\u30ef\u30c1\u30a8\u306b\u304a\u3051\u308b\u66f8\u7c4d\u300eL'Image-Mati\u00e8re\u300f\u306e\u767a\u58f2\u3002Perig Pitrou\u3001Thierry Ferreira\u3068\u306e\u30e9\u30a6\u30f3\u30c9\u30c6\u30fc\u30d6\u30eb\u3001le Lieu Multiple\u3001\u30dd\u30ef\u30c1\u30a8\u3002.<\/p>\n

2016\u5e744\u67082\u65e5ENS\u30e9\u30b8\u30aa\u3067Lia Giraud\u306b\u30a4\u30f3\u30bf\u30d3\u30e5\u30fc\uff1aTrENSmission\u306e\u30a2\u30fc\u30c8\uff06\u30b5\u30a4\u30a8\u30f3\u30b9\u30b3\u30fc\u30b9\u306b\u3064\u3044\u3066<\/p>\n

23 March 2016.\u7d20\u6750\u306e\u7279\u6027\u3092\u5f6b\u308b\u3002\u73fe\u4ee3\u30a2\u30fc\u30c8\u306b\u304a\u3051\u308b\u51fa\u73fe\u3059\u308b\u7d20\u6750\u30022016\u5e743\u670823\u65e5\uff5e25\u65e5\u3001IM\u00e9RA\u3001\u30de\u30eb\u30bb\u30a4\u30e6\u3067\u958b\u50ac\u3055\u308c\u305f\u300c\u4e8c\u6b21\u5143\u7a4d\u5c64\u6750\u6599\u3068\u82b8\u8853\u306b\u95a2\u3059\u308b\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\uff1a\u4e8c\u3064\u306e\u4e16\u754c\u304c\u51fa\u4f1a\u3046\u300d\u306e\u305f\u3081\u306e\u8b1b\u6f14\u3002\u30b9\u30c8\u30ea\u30fc\u30df\u30f3\u30b0\u30fb\u30a6\u30a7\u30d6\u30ad\u30e3\u30b9\u30c8\u3002.<\/p>\n

13 Feb 2016.\u30d7\u30ed\u30b0\u30e9\u30df\u30f3\u30b0\u4e8b\u9805\u3002\u30d7\u30ec\u30bc\u30f3\u30c6\u30fc\u30b7\u30e7\u30f3-\u30c7\u30a3\u30d9\u30fc\u30c8\u3001Centre Jean-Roger Caussimon\u3001Tremblay en France\u3001\u5f7c\u306e\u82b8\u8853\u7684\u30ec\u30b8\u30c7\u30f3\u30b9\u306e\u4e00\u74b0\u3068\u3057\u3066\u3001Lieu multiple\u3001Poitiers\u3068\u306e\u30d1\u30fc\u30c8\u30ca\u30fc\u30b7\u30c3\u30d7\u3002.<\/p>\n

4 mai 2015. Le courage du chercheur-explorateur. Petite chronique illustr\u00e9e d\u2019une recherche par s\u00e9rendipit\u00e9, Interf\u00e9rences_VIDA, coupl\u00e9es avec un atelier d’Histoire et de Philosophie des Sciences, Universit\u00e9 Pierre et Marie Curie (UPMC), Paris.<\/p>\n

2015\u5e743\u670826\u65e5Through the fold : Cross-pleated of philosophy, contemporary art and applied arts, colloquium Folding and creasing of thin plate structures, GDR MePhy, Mechanics and physics of complex systems.ESPCI, Paris V\u00e8me.<\/p>\n

13 2014\u5e7411\u6708Mati\u00e8re \u00e0 deux temps : \u00e9quilibre dynamique, Rencontre Recherche et cr\u00e9ation, temporalit\u00e9s, Labex ARTS-H2H, Galerie Rhinoc\u00e9ros et cie, 156 bd Haussman, Paris.<\/p>\n

6 mars 2014. La mati\u00e8re EST le m\u00e9canisme. Les mat\u00e9riaux responsifs et l’art contemporain. Dorkbot #46 (Doing strange things with electricity), Paris.<\/p>\n

2013\u5e749\u670819-20\u65e5\u3002ABC.\u30e2\u30fc\u30bf\u30fc\u306a\u3057\u3067\u52d5\u304f\uff1a\u82b8\u8853\u5bb6\u3068\u305d\u306e\u52d5\u304f\u751f\u304d\u7269\u306e\u884c\u52d5\u3002\u30e0\u30fc\u30d3\u30f3\u30b0\u30fb\u30a6\u30a3\u30ba\u30a2\u30a6\u30c8\u30fb\u30de\u30c3\u30b9\u30eb\uff08MWM\uff09\u4f1a\u8b70\u3001\u30b0\u30eb\u30ce\u30fc\u30d6\u30eb\u5b66\u969b\u7814\u7a76\u6240\u3002.<\/p>\n

2013\u5e745\u670823\u65e5\u7814\u7a76\u9032\u884c\u4e2d\u3001Labex DEEP\u5e74\u6b21\u5927\u4f1a\u306e\u305f\u3081\u3001\u30ad\u30e5\u30ea\u30fc\u5927\u5b66\u3001\u30d1\u30ea\u3002.<\/p>\n

2013\u5e744\u670811\u65e5\u30d1\u30ea\u30fb\u30c7\u30ab\u30eb\u30c8\u5927\u5b66\u7814\u7a76\u5b66\u969b\u30bb\u30f3\u30bf\u30fc\uff08CRI\uff09\u306e\u30d0\u30a4\u30aa\u30e1\u30ab\u30cb\u30af\u30b9\u3001\u30de\u30a4\u30af\u30ed\u30a8\u30f3\u30b8\u30cb\u30a2\u30ea\u30f3\u30b0\u3001\u30ca\u30ce\u30c6\u30af\u30ce\u30ed\u30b8\u30fc\u30bb\u30df\u30ca\u30fc\u3067\u767a\u8868\u3002.<\/p>\n

21 f\u00e9v. 2013. Intervention et d\u00e9bat pour Math\u00e9matiques sensibles dans le cadre de “La science se livre” au Cube, Issy-les-Moulineaux.<\/p>\n

26 Jan 2013.\u30ca\u30ce\u306e\u4e16\u754c\uff1a\u65b0\u3057\u3044\u300c\u30d8\u30c6\u30ed\u30c8\u30d4\u30a2\u300d\uff1f\u4f1a\u8b70\u300cL'art \u00e0 l'\u00e9chelle nanoscopique\u300d\uff08\u30dd\u30f3\u30d4\u30c9\u30a5\u30fc\u30fb\u30bb\u30f3\u30bf\u30fc\u3001\u30d1\u30ea\uff09\u306e\u305f\u3081\u306b\u3002.<\/p>\n

9-10. Oct. 2012. Modulations mentales, modus operandi, Historique sur l\u2019art et les ondes mentales, pour les journ\u00e9es \u00ab\u00a0Interfaces neuronales : de la pens\u00e9e \u00e0 l’action\u00a0\u00bb, St\u00e9r\u00e9olux, Nantes.<\/p>\n2011\u5e745\u6708\u5c55\u89a7\u4f1a\u300cQui a \u00e9teint la lumi\u00e8re ?MacVal \/ Explorad\u00f4me, Vitry sur Seine.
\n.
\n2011\u5e743\u6708Percoler\u3001Universcience\uff08\u30d1\u30ea\uff09\u306b\u3066\u82b8\u8853\u3068\u79d1\u5b66\u306b\u95a2\u3059\u308b\u8b1b\u6f14\u3002.\n

Juin 2010. YI SANG | GNAS IY et le retournement temporel. Intervention sur l’inspiration scientifique du po\u00e8te cor\u00e9en Yi Sang, festival \u00ab\u00a0Yi Sang \u00e0 Paris\u00a0\u00bb, \u00e0 la G\u00e9n\u00e9rale, Paris.<\/p>\n

Mai 2009. Les gestes de la m\u00e9moire, journ\u00e9e d’\u00e9tude \u00ab\u00a0Mobile Immobile\u00a0\u00bb, \u00e9quipe de recherche Esth\u00e9tique des nouveaux m\u00e9dias, Universit\u00e9 Paris 8, Saint-Denis.<\/p>\n

Mai 2009. L\u2019inventivit\u00e9\u00a0d\u00e9crite comme la percolation parataxique d\u2019\u00eelots de pens\u00e9e structur\u00e9e au sein de l\u2019informel. Journ\u00e9es scientifiques de l’Universit\u00e9 de Rennes2, \u00ab\u00a0Technique et creation\u201d, Rennes.<\/p>\n

2009\u5e743\u67085\u65e5Jeudis de Gakona\u300cBrainwaves\u300d\uff08\u30d1\u30ec\u30fb\u30c9\u30fb\u30c8\u30fc\u30ad\u30e7\u30fc\u3001\u30d1\u30ea\uff09\u306b\u3066\u300cElectro-encephalo-gramophonies\u300d\u3001\u300cHistory of mental waves in art\u300d\u306b\u3064\u3044\u3066\u8b1b\u6f14\u3002.<\/p>\n

2008.Inventer son chemin, petite fresque heuristique, Colloque \u00ab Eur\u00eaka, le moment de l'invention \u00bb, Paris 8 and ESPCI, Paris.<\/p>\n

<\/h2>\n

\u4f1a\u8b70\u3084\u7814\u7a76\u65e5\u306e\u958b\u50ac\uff08\u30a2\u30fc\u30c8\uff09<\/h2>\n

\u3082\u3046\u3059\u3050\u3067\u3059\u30022021\u5e745\u6708\u3001\u7269\u7406\u5b66\u8005\u30d6\u30ce\u30ef\u30fb\u30ed\u30fc\u30de\u30f3\u3068\u300cAnimated Matter\uff08\u30a2\u30cb\u30e1\u30fc\u30c6\u30c3\u30c9\u30fb\u30de\u30bf\u30fc\uff09\u300d\u306b\u3064\u3044\u3066\u306e\u5b66\u969b\u7684\u306a\u8003\u5bdf\u3092\u884c\u30461\u9031\u9593\u306e\u5171\u540c\u4e3b\u50ac\u8005\u3002\u30af\u30ea\u30a8\u30fc\u30bf\u30fc\u3068\u7814\u7a76\u8005\u306e\u5bfe\u8a71\u3092\u4fc3\u9032\u3059\u308b\u30c8\u30ec\u30a4\u30eb\u8ca1\u56e3\u3067\u300112\u4eba\u306e\u56fd\u969b\u7684\u306b\u8457\u540d\u306a\u7814\u7a76\u8005\u304c\u4e38\u4e00\u9031\u9593\u9694\u96e2\u3055\u308c\u308b\u3002\u3053\u306e1\u9031\u9593\u3067\u671f\u5f85\u3055\u308c\u308b\u6210\u679c\u306f\u3001\u7269\u7406\u7684\u306a\u30aa\u30d6\u30b8\u30a7\u306e\u5236\u4f5c\u3001\u56fd\u969b\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0\u3001\u305d\u3057\u3066\u304a\u305d\u3089\u304f\u66f8\u7c4d\u3084\u5c55\u89a7\u4f1a\u306b\u306a\u308b\u3060\u308d\u3046\u3002.<\/p>\n

2017\u5e746\u670821\u65e5\u751f\u304d\u308b\u3053\u3068\u3092\u3081\u3050\u308b\u5b66\u969b\u7684\u63a2\u6c42\u3002PSL\u3067\u306e\u79d1\u5b66\u3068\u82b8\u8853\u3002ESPCI\u3067Lia Giraud\u3001Val\u00e9rie Pihet\u3001Perig Pitrou\u3068\u3068\u3082\u306b\u958b\u50ac\u3055\u308c\u305f\u30a2\u30fc\u30c8\u3068\u751f\u7269\u5b66\u306e\u30ef\u30fc\u30af\u30b7\u30e7\u30c3\u30d7\u3002.<\/p>\n

1er Juin 2017. Responsive Matter, colloque art&science, Centre Pompidou, Paris, organis\u00e9 avec Marie-Ange Brayer, Samuel Bianchini et Emanuele Quinz. L’impression 3D r\u00e9actualise le rapport mati\u00e8re\u00a0\/\u00a0forme o\u00f9 la mati\u00e8re ne prend sens que lorsqu\u2019elle est inform\u00e9e et se doit de se faire oublier. Mais qu’en est-il aujourd’hui de ces nouveaux mat\u00e9riaux actifs, r\u00e9actifs et adaptatifs\u00a0?<\/p>\n

2017\u5e741\u6708-2019\u5e741\u6708\u30e9\u30a4\u30d5\u30fb\u30a2\u30c3\u30c8\u30fb\u30ef\u30fc\u30af\u3002\u30d0\u30a4\u30aa\u30a2\u30fc\u30c8\u3068\u30d0\u30a4\u30aa\u30c7\u30b6\u30a4\u30f3\u306e\u53ef\u80fd\u6027\u3092\u63a2\u308b\u3001PSL\u304c\u652f\u63f4\u3059\u308bPerig Pitrou\u304c\u6307\u63ee\u3059\u308b\u30d7\u30ed\u30b0\u30e9\u30e0\u306eLudovic Jullien\u3068Lia Giraud\u306e\u30a2\u30af\u30c6\u30a3\u30d6\u30e1\u30f3\u30d0\u30fc\u3002\u3053\u306e\u30d7\u30ed\u30b8\u30a7\u30af\u30c8\u306f\u3001PSL\u306e\u69d8\u3005\u306a\u6a5f\u95a2\uff08\u7f8e\u8853\u30fb\u30c7\u30b6\u30a4\u30f3\u5b66\u6821\u3001\u81ea\u7136\u79d1\u5b66\u30fb\u4eba\u6587\u79d1\u5b66\u3001\u793e\u4f1a\u79d1\u5b66\u306e\u7814\u7a76\u6240\uff09\u304b\u3089\u53c2\u52a0\u8005\u3092\u96c6\u3081\u3001\u30d0\u30a4\u30aa\u30a2\u30fc\u30c8\u3068\u30d0\u30a4\u30aa\u30c7\u30b6\u30a4\u30f3\u306e\u5206\u91ce\u3067\u767a\u5c55\u3057\u3066\u3044\u308b\u82b8\u8853\u3001\u5de5\u82b8\u3001\u5de5\u696d\u306e\u5b9f\u8df5\u306b\u30d0\u30a4\u30aa\u30c6\u30af\u30ce\u30ed\u30b8\u30fc\u3092\u5c0e\u5165\u3059\u308b\u3053\u3068\u306b\u3088\u3063\u3066\u3082\u305f\u3089\u3055\u308c\u308b\u53ef\u80fd\u6027\u3092\u63a2\u308b\u3082\u306e\u3067\u3042\u308b\u3002.<\/p>\n

2016\u5e749\u670820\u65e5\uff5e21\u65e5FOLD, EnsAD-ESPCI-Humboldt University-MPI Podsdam Colloquium\u3002Beno\u00eet Roman\u6c0f\uff08ESPCI\u3001\u30d1\u30ea\uff09\u3001Michael Friedman\u6c0f\uff08\u30d5\u30f3\u30dc\u30eb\u30c8\u5927\u5b66\uff09\u3001Peter Fratzl\u6c0f\uff08Du Max Plack Institute of Colloids and interfaces\u6240\u9577\uff09\u3068\u306e\u5171\u540c\u4e3b\u50ac\u3002\u30b3\u30ed\u30ad\u30a6\u30e0\u306e\u76ee\u7684\u306f\u30012\u3064\u306e\u7570\u306a\u308b\u5b66\u554f\u5206\u91ce\u3001\u3059\u306a\u308f\u3061\u3001\u4e00\u65b9\u3067\u306f\uff08\u30d0\u30a4\u30aa\uff09\u6750\u6599\u306e\u529b\u5b66\u3068\u5f62\u614b\u5f62\u6210\u3001\u4ed6\u65b9\u3067\u306f\u54f2\u5b66\u3092\u7d50\u3073\u3064\u3051\u308b\u3053\u3068\u3067\u3042\u3063\u305f\u3002.<\/p>\n

2009\u5e746\u6708\uff5e2010\u5e742\u67082009\u5e74\uff5e2010\u5e742\u6708Changer de peau\uff08\u5909\u5316\u3059\u308b\u808c\uff09\uff1a\u30a2\u30fc\u30c6\u30a3\u30b9\u30c8\u3068\u79d1\u5b66\u8005\u306e\u30da\u30a2\u3092\u4f5c\u308a\u3001\u4ea4\u6d41\uff08\u305d\u308c\u305e\u308c\u304c\u76f8\u624b\u306e\u7acb\u5834\u306b\u306a\u3063\u3066\u8003\u3048\u308b\uff09\u3001\u30d5\u30a3\u30fc\u30c9\u30d0\u30c3\u30af\u30bb\u30c3\u30b7\u30e7\u30f3\u3092\u884c\u30462\u3064\u306e\u30a4\u30d9\u30f3\u30c8\u3092\u4f01\u753b\u3002\u30d1\u30ea8\u533a\u304a\u3088\u3073ESPCI\uff08\u30d1\u30ea\uff09\u3068\u5171\u50ac\u3002.<\/p>\n

31 Mai-1er juin 2007. Eur\u00eaka, le moment de l’invention, organisation avec Ivan Toulouse du colloque avec des intervenants artistes et scientifiques, mai 2007, Universit\u00e9 Paris 8 et \u00a0ESPCI.<\/p>","protected":false},"excerpt":{"rendered":"

Voir les publications sur Academia.edu \u00c0 venir (oct. 2020). In formation & information in living materials, in \u00ab\u00a0Design, Gestaltung, Formativit\u00e0\u00a0\u00bb, anthology, Patricia Ribault, Cluster of Excellence Matters of Activity. Image Space Material. Juin. 2018. Sciences et art : alibi scientiste ou voie pour les humanit\u00e9s ? in \u00ab\u00a0Quel avenir pour […]<\/p>","protected":false},"author":1,"featured_media":345,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inspiro_page_layout":"narrow","inspiro_hide_title":false,"footnotes":""},"class_list":["post-344","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/pages\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":4,"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/pages\/344\/revisions"}],"predecessor-version":[{"id":427,"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/pages\/344\/revisions\/427"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/media\/345"}],"wp:attachment":[{"href":"https:\/\/dominiquepeysson.net\/ja\/wp-json\/wp\/v2\/media?parent=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}