{"id":344,"date":"2020-10-22T10:34:37","date_gmt":"2020-10-22T10:34:37","guid":{"rendered":"https:\/\/site.dominiquepeysson.net\/?page_id=344"},"modified":"2020-12-15T10:27:27","modified_gmt":"2020-12-15T10:27:27","slug":"publications","status":"publish","type":"page","link":"https:\/\/dominiquepeysson.net\/en\/publications\/","title":{"rendered":"Publications"},"content":{"rendered":"

See posts on Academia.edu<\/a><\/p>\n\t

Coming soon (Oct 2020). In formation & information in living materials, in \u201cDesign, Gestaltung, Formativit\u00e0\u201d, anthology, Patricia Ribault, Cluster of Excellence Matters of Activity. Image Space Material.<\/p>\n

June. 2018. Science and art: scientistic alibi or path for the humanities? in \u201cWhat future for the humanities? \u00bb, the Archicube, n\u00b024. ENS Ed. (Paris). P.98-101<\/p>\n

Dec. 2017. First Impression, Catalog of my personal exhibition composed of five works presented in January-February 2017 at L'Espace Jean-Roger Caussimon, Tremblay in France.<\/p>\n

Jan. 2017. Responsive Images and Hydrophily, in \u201cInteractive Images: Arts, Sciences and Visual Culture\u201d, under the direction of Jean-Paul Fourmentraux, La Lettre Vol\u00e9e Ed., Brussels.<\/p>\n

June 2016. Versal Unfolding, How a specific folding can turn crease and tear into transversal notions, Emmanuel Ferrand, Dominique Peysson, in \u201cOn Folding\u201d, dir. Michael Friedman, Transcript Ed., Bielefeld.<\/p>\nApr. 2016. Image-matter. Emerging materials & imaginary metamorphoses. Book by Dominique Peysson. Say See Ed. (Paris).
\nFollowed by The Image-Matter. Emerging Materials and Imaginary Metamorphosis, English translation by Vanessa Place, Dis Voir Ed. (Paris).\n

Dec. 2015 Emerging materials put to the test of contemporary art, in \u201cSciences et techniques. A culture to share \u00bb Culture and Research n\u00b0 132, 100 p., The research review of the Ministry of Culture.<\/p>\n

2013. Co-direction with Olga Kisseleva of [plastik ]-Art & Science issue #03, nano.<\/p>\n

August 2013. Peysson Dominique, \u201cThe nanoworld: a new \u201cheterotopia\u201d? \u00bb, in the online review [plastik ] Nano, n\u00b03.<\/p>\n

May 2012. Materialize your thought on the threshold of the intelligible, in \u201cTechnique and creation\u201d. Toulouse Ivan, Dan\u00e9tis Daniel (dir.), Paris: L'Harmattan, 2012, (coll. \u201cEureka et cie\u201d)\u200e.<\/p>\n

2008. Inventing one's way, small heuristic fresco, in "Eureka, the moment of invention", Toulouse Ivan, Dan\u00e9tis Daniel (dir.), Arts 8, Paris: L'Harmattan, 2008, (coll. "Eureka et cie ")\u200e.<\/p>\n

1999-2009. Numerous publications in children's literature (texts and images): eleven children's books, illustrations for magazines, book covers, etc.<\/p>\n

1991-1995. Scientific publications: one book chapter, eight publications in peer-reviewed journals (such as \u201cDie Makromol. Chem.\u201d, \u201cNonlinear Optics\u201d, \u201cMacromol. Chem. Phys.\u201d, \u201cLiquid Crystals\u201d, \u2026), ten - eight communications (conferences, symposiums, etc.).<\/p>\n\t

Interventions-communications in art<\/h2>\n

Coming soon (postponed due to coronavirus): Emerging materials put to the test of contemporary art, \u201cChemistry and Art\u201d, Chemistry Days, X, ENS, ESPCI.<\/p>\n

Coming soon \u2013 postponed due to coronavirus. Presentation of my works on DNA for \u201cThe 21st century, the century of DNA? \u00bb, digital campus of Ionis Education group, Sup'Biotech.<\/p>\n

March 2, 2020. Matter IS form, Galerie L'ahah, on the occasion of Ran Zhang's exhibition, Resolution of Traits, March 25-27, 2020, exhibition space #Griset, 4 cit\u00e9 Griset, Paris.<\/p>\n

18 Feb. 2020. Jury for the SNSF Scientific Image Competition (SSIC) 2020, Bern, Switzerland.<\/p>\n

Nov. 27-30, 2019. Things to think about. When what we touch can touch us deeply, Arts & Science international conference, Marc Chagall National Museum, C\u00f4te d'Azur University, Nice.<\/p>\n

Nov-Dec. 2019. Innovation workshops on SMART materials for LVMH Research.<\/p>\n

Sept. 24-25, 2019. Bio-mimesis versus biomimicry, presentation in pairs with Emmanuel Ferrand, for the Technical&Culture Meetings \u201cBiomimicry(s). Imitation of life and modeling of life\u201d, Mucem, Marseille.<\/p>\n

June 13, 2019. Droplets as units of information, International Symposum \u201cGarden the sky water\u201d, Cit\u00e9 Internationale des Arts, Paris.<\/p>\n

June 11-21, 2019. \u201cArt and science\u201d creation workshops for LVMH Research, sponsored by Bruno Bavouzet, President of LVMH Research. A brand new experience, establishing a first milestone for bringing together research and contemporary art within LVMH itself.<\/p>\n

12 Dec 2018. Intervention on the film Alone on Mars, by R. Scott, for the cycle \u201cExtraterrestrial Presences\u201d, Human lives in space, organized by Roland Lehoucq, Perig Pitrou and Jean-S\u00e9bastien Steyer at the Grand Action cinema, Paris.<\/p>\n

Oct 12, 2018. Keynote, Art and Matter: a Matter of Life, 55th Annual Technical Meeting of the Society of Engineering Science, Madrid, Spain (invited).<\/p>\n

August 29, 2018. Keynote, In formation & information in living materials, Solvay Workshop, Brussels, Belgium (invited).<\/p>\n

June 27, 2018. Organic machines, Study days \u201cArtificial sensibility\u201d, Maison des Sciences de l'Homme Paris-Nord.<\/p>\n

15-16 Feb. 2018. Information and in-formation in living material, for the workshop \u201cDesign, Gestaltung, Formativit\u00e0\u201d, Humboldt University (Berlin) and Max Planck Institute (Potsdam), Germany (invited).<\/p>\n

Oct. 12, 2017. The march towards organic machines, for the conference \u201cThe future of machines: between science and fiction?\u201d, Acc\u00e8)s( festival, Pau.<\/p>\n

Oct 16-17, 2017. Living matter, for the symposium La vie \u00e0 l'oeuvre. New ecologies, bioart, biodesign, at the Mus\u00e9e de la Chasse, Paris.<\/p>\n

June 21, 2017. Alive. The forms of information, for the workshop \u201cInterdisciplinary explorations around the living. Science and art at PSL\u201d, ESPCI, Paris.<\/p>\n

June 1, 2017. Opening and communication: Responsive Liquid Matter, for the \u201cResponsive Matter\u201d colloquium at the Center Pompidou, Paris.<\/p>\n

30 Apr. 2017. Desiring matter, from the machine to living matter, for the meetings: \u201cUtopian machines\u201d, at the Gait\u00e9 Lyrique, Paris.<\/p>\n

2016 Nov 10. New skins. A relationship of intelligence between us and our clothing, research seminar \u201cAnthropology of the worlds of fashion. The hand looking at the machine. What's left for the hand? \u00bb, EHESS, Paris.<\/p>\n

June 9, 2016. Data-matter and programmable matter: round table \u201cData Matters? organized around the work of Mathieu Briand Memories Memories, Espace Pierre Gilles de Gennes, Paris.<\/p>\n

May 26, 2016. Launch of the book L'Image-Mati\u00e8re in Paris. Round table with Manuela de Barros and Dominique Lestel, La Paillasse, Paris.<\/p>\n

May 18, 2016. Launch of the book L'Image-Mati\u00e8re in Poitiers. Round table with Perig Pitrou and Thierry Ferreira, Lieu Multiple, Poitiers.<\/p>\n

Apr 2, 2016. Interview with Lia Giraud on ENS radio: TrENSmission on our art&science journeys<\/p>\n

March 23, 2016. Carving Material Properties. The emerging materials in contemporary art. Intervention for the International Symposium on Two-Dimensional Layered Materials and Art: Two Worlds Meet, March 23-25, 2016, IM\u00e9RA, Marseille. Internet streaming.<\/p>\n

13 Feb. 2016. Programming Matter. Presentation-debate, Center Jean-Roger Caussimon, Tremblay in France, as part of his artistic residency, in partnership with the Lieu multiple de Poitiers.<\/p>\n

4 May 2015. The courage of the researcher-explorer. Small illustrated chronicle of a research by serendipity, Interferences_VIDA, coupled with a workshop of History and Philosophy of Science, Pierre and Marie Curie University (UPMC), Paris.<\/p>\n

March 26, 2015. Through the fold: Cross-pleated of philosophy, contemporary art and applied arts, Colloquium Folding and creasing of thin plate structures, GDR MePhy, Mechanics and physics of complex systems. ESPCI, Paris Vth.<\/p>\n

Nov. 13, 2014. Matter in two times: dynamic balance, Meeting Research and creation, temporalities, Labex ARTS-H2H, Galerie Rhinoc\u00e9ros et cie, 156 bd Haussman, Paris.<\/p>\n

March 6, 2014. Matter IS mechanism. Responsive materials and contemporary art. Dorkbot #46 (Doing strange things with electricity), Paris.<\/p>\n

Sept. 19-20, 2013. ABC. Moving Without Motors: the Artist and the Behavior of its moving Creatures. Moving Without Muscles (MWM) conference, Grenoble interdisciplinary laboratory.<\/p>\n

May 23, 2013. Research in progress, for the annual Labex DEEP day, Institut Curie, Paris.<\/p>\n

Apr. 11, 2013. Speech at the Biomechanics, Microengineering, Nanotechnology seminar at the Center for Research and Interdisciplinary (CRI), Paris Descartes University.<\/p>\n

21 Feb. 2013. Intervention and debate for Sensitive Mathematics in the context of \u201cLa science se livre\u201d at the Cube, Issy-les-Moulineaux.<\/p>\n

26 Jan. 2013. The nanoworld: a new \u201cheterotopia\u201d? For the conference \u201cArt at the nanoscale\u201d, Center Pompidou, Paris.<\/p>\n

9-10. Oct. 2012. Mental modulations, modus operandi, History of art and mental waves, for the days \u201cNeuronal interfaces: from thought to action\u201d, St\u00e9r\u00e9olux, Nantes.<\/p>\nMay 2011. Visit with two voices, art & science, about the exhibition \u201cWho turned off the light? \u00bb MacVal \/ Exploradome, Vitry sur Seine.
\n.
\nMarch 2011. Percoler, intervention on art and science at Universcience, Paris.\n

June 2010. YI SANG | GNAS IY and time reversal. Intervention on the scientific inspiration of the Korean poet Yi Sang, festival "Yi Sang in Paris", at the G\u00e9n\u00e9rale, Paris.<\/p>\n

May 2009. The gestures of memory, \u201cMobile Immobile\u201d study day, Aesthetics of new media research team, University of Paris 8, Saint-Denis.<\/p>\n

May 2009. Inventiveness described as the parataxic percolation of islands of structured thought within the informal. Scientific days of the University of Rennes2, \u201cTechnique and creation\u201d, Rennes.<\/p>\n

March 5, 2009. Electro-encephalo-gramophonies, Intervention on the History of mental waves in art, for Thursdays of Gakona, Brainwaves, Palais de Tokyo, Paris.<\/p>\n

2008. Inventing one's way, small heuristic fresco, Colloquium \u201cEureka, the moment of invention\u201d, Paris 8 and ESPCI, Paris.<\/p>\n

<\/h2>\n

Organization of conferences and study days (Art)<\/h2>\n

Coming. Co-organizer of a week of transdisciplinary reflection with the physicist Beno\u00eet Roman on Animated matter, in May 2021. A whole isolated week for twelve internationally renowned researchers at the Fondation des Treilles, a place that promotes dialogue between creators and researchers . A material realization will be imagined, an international symposium and perhaps a book or an exhibition will be the expected productions of these days.<\/p>\n

June 21, 2017. Interdisciplinary explorations around the living. Science and art at PSL. Art and biology workshop organized with Lia Giraud, Val\u00e9rie Pihet and Perig Pitrou at ESPCI.<\/p>\n

June 1, 2017. Responsive Matter, art&science colloquium, Center Pompidou, Paris, organized with Marie-Ange Brayer, Samuel Bianchini and Emanuele Quinz. 3D printing updates the matter \/ form relationship where matter only makes sense when it is informed and must be forgotten. But what about these new active, reactive and adaptive materials today?<\/p>\n

Jan.2017-Jan.2019. Life at work. Exploring the potential of bioart and biodesign, active member with Ludovic Jullien and Lia Giraud of the program directed by Perig Pitrou, supported by PSL. This project brings together actors from various PSL institutions (schools of art and design, laboratories of natural sciences and human and social sciences) to explore the potential represented by the transfer of biotechnologies in artistic, craft and industrial practices. developing in the fields of bioart and biodesign.<\/p>\n

Sept. 20-21, 2016. The FOLD, Colloquium EnsAD-ESPCI-Humboldt University-MPI Podsdam. Co-organizer with Beno\u00eet Roman (ESPCI, Paris), Michael Friedman (Humboldt University) and Peter Fratzl (dir. of the Max Plack Institute of Colloides and interfaces). The aim of the symposium was to bring together two different disciplines: the mechanics and morphogenesis of (bio)-materials on the one hand and philosophy on the other.<\/p>\n

June. 2009-Feb. 2010. Change skin: Organization of two events allowing the formation of artist-scientist pairs, the establishment of exchanges (each putting themselves in the place of the other), and a restitution. Organized with Paris 8 and ESPCI, Paris.<\/p>\n

May 31-June 1, 2007. Eureka, the moment of invention, organization with Ivan Toulouse of the symposium with artists and scientists, May 2007, Paris 8 University and ESPCI.<\/p>","protected":false},"excerpt":{"rendered":"

See publications on Academia.edu Coming soon (Oct 2020). In formation & information in living materials, in \u201cDesign, Gestaltung, Formativit\u00e0\u201d, anthology, Patricia Ribault, Cluster of Excellence Matters of Activity. Image Space Material. June. 2018. Science and art: scientistic alibi or path for the humanities? in \u201cWhat future for [\u2026]<\/p>","protected":false},"author":1,"featured_media":345,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inspiro_page_layout":"narrow","inspiro_hide_title":false,"footnotes":""},"class_list":["post-344","page","type-page","status-publish","has-post-thumbnail","hentry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/pages\/344","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/comments?post=344"}],"version-history":[{"count":4,"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/pages\/344\/revisions"}],"predecessor-version":[{"id":427,"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/pages\/344\/revisions\/427"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/media\/345"}],"wp:attachment":[{"href":"https:\/\/dominiquepeysson.net\/en\/wp-json\/wp\/v2\/media?parent=344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}